Guillermo del Toro calls AI art a 'insult to life itself'

Guillermo Del Toro Calls AI art a ‘Insult to Life itself’

Guillermo Del Toro Calls AI art a ‘Insult to Life itself’: The Shape of Water, Pan’s Labyrinth, and Netflix’s most recent stop-motion Pinocchio were all directed by Guillermo del Toro, who has been harshly critical of the current trend of AI-generated art. In a recent interview with Decider, the director discussed the meticulous, delicate process of creating Pinocchio, which involves complex puppets with moveable silicone skin. The interviewer compared the stop-motion technique and the more straightforward approach of using artificial intelligence to produce art, showing that Del Toro had no tolerance for programs like DALL-E and Mid journey.

“I believe that art is a form of soul expression. When it works well, it embraces all aspects of who you are. I therefore enjoy and consume human-made art. That has moved me to tears. A machine-generated illustration or the extrapolation of data is not of interest to me,,, “said del Toro. As [Hayao] Miyazaki puts it, “I would deem it an affront to life itself.”

Del Toro quoted Japanese director Hayao Miyazaki, a co-founder of Studio Ghibli and the creator of several beloved animated movies, including My Neighbor Totoro, Princess Mononoke, Spirited Away, and Howl’s Moving Castle. In the 2016 documentary Never-Ending Man: Hayao Miyazaki, Miyazaki made the such a remark. By contrasting human art to AI art, Miyazaki claimed that humans were “losing faith in ourselves” and that the depiction of anguish in the AI-generated animation of a zombie-like creature was utterly false.

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Along with Miyazaki, del Toro also noted artist Dave McKean, whose credits include work on the feature films and album art for Grant Morrison’s Arkham Asylum: A Serious House on Serious Earth and comics like Sandman, Hellblazer, and Grant Morrison’s Arkham Asylum. Del Toro claims to have spoken with McKean about AI art, and the illustrator’s biggest wish is that the technology would never be able to draw.

“It cannot draw, but it can interpolate information. You know, it can never adequately represent a sentiment, a visage, or the gentleness of a human face,,, “explained del Toro. These are by no means the only artists dissatisfied with the present AI platforms because they routinely use human artwork without the artists’ consent.

Guillermo del Toro’s Cabinet of Curiosities, a live-action Netflix horror anthology, is del Toro’s most recent endeavor after Pinocchio. The program combines original stories with adaptations of well-known horror works, including two episodes based on short stories by H.P. Lovecraft.

The filmmaker is still hoping that one day he will adapt Lovecraft’s well-known novella At The Mountains of Madness because he thinks it will work well in the same stop-motion animation manner as Pinocchio. Pinocchio by del Toro is presently streaming on Netflix.