‘It Was Important To Get That Right' ‘The Crown's Revenge Dress'

‘It Was Important To Get That Right’: ‘The Crown’s Revenge Dress’

A youthful Lady Diana Spencer was reintroduced to the world in the popular Netflix drama “The Crown” two years ago. The series depicted a young woman attempting to find her place in a family that had only reluctantly accepted her by using pastel colours, puffy sleeves, and floral designs.

The Emmy Award-winning costume designer Amy Roberts and her group of devoted helpers, sewers, and textile designers were once again tapped by the series to help track young Diana’s journey from the reserved daughter of an earl to a dazzling princess trapped in a turbulent marriage.

Ms Roberts, 73, was aware that Diana’s entrance to a 1994 banquet wearing a figure-hugging black dress with an asymmetrical length, chiffon train, and off-the-shoulder bodice would serve as the critical moment of Season 5 when it came to the Princess of Wales. The same day, her husband, Prince Charles, hinted at being unfaithful on live television. It earned the moniker “the revenge dress” over time.

Christina Stambolian’s small black dress captured the attention of the public. It was a strong symbol of resistance that was splashed over countless front pages: a lady wanted to make a partner who had treated her unfairly aware of what he was lacking. Ms Roberts was aware that the garment would be thoroughly examined the moment it debuted on television due to the outfit’s widespread cultural significance. She stated, “It was crucial to do that properly.

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It also signalled a change in how Diana would start to show herself and behave in public. In an interview, Ms Roberts stated that “her life, what we see of it at the moment, is more tranquil visually.” It is that revenge dress that plays a significant role in her marriage, her life, and her decision to become a strong, independent woman in Season 5, which premiered on Wednesday.

It was “extremely challenging” to recreate the dress since it combined “two extremes,” with a stiff, lavishly embellished bodice on top and gentle flowing below. But the key message she wanted to get through was that the dress was short, risqué, and seductive — a stark contrast to the white meringue-shaped wedding dress from Season 4, which was also made by Ms Roberts and her crew.

The “revenge dress” presented an additional hurdle for Ms Roberts because it had to be recreated without the original designer’s assistance. (Last season, she had the opportunity to speak with David Emanuel, the creator of Princess Diana’s wedding gown.) The designer, Ms Stambolian, “seemed to be impossible to get a hold of,” Ms Roberts remarked. “I hope she’s happy with what we did, wherever she is,”

Both outfits brought about the same respectful stillness from the cast and crew on set. Two doors swung open shortly before the first take, displaying the garment to the crew for the first time, and Ms Roberts remembered that the moment the actor Emma Corrin appeared in Diana’s wedding dress in Season 4 was almost theatrical. The “atmosphere was electrifying” when Elizabeth Debicki, who plays Diana in Season 5, came out of a car wearing the retribution dress.

“I believe it is fairly frightening for individuals when you get those images that are so imprinted in their memories,” Ms Roberts said. I found it to be quite moving. Diana decided to respond in a way that indicated, “I’m stunning, sexy, and bold, and this is how I’m going to do it,” at a time when her marriage was disintegrating, Ms Roberts continued.

She claimed that in a different episode, when Princess Margaret (Lesley Manville) reconnected with her ex-fiance, Peter Townsend (Timothy Dalton), at a party following a long absence, she wanted to capture a similar vibe. What would you do as a woman in that circumstance? stated Ms Roberts. If you’re a strong, independent woman like Margaret or Diana, you just go for it and decide to wear the brightest colour you have in your closet.

Ms Roberts believes it is incorrect to judge each character’s outfit only based on historical authenticity. The re-creation of the revenge dress is anticipated to be one of the most meticulously studied looks of the show’s current season. She stated, “I feel like I’m performing a large, fantastic opera about a huge, dysfunctional family when I do this job. “These people are a hint to it; they are not necessarily a double of the people they are representing.”

She continued, “The actors offer something extra to it, and I think we have to as well — through how we outfit them, the spaces they are living in, their hair, and the lipstick choice. Sam McKnight, Diana’s hairdresser in the 1990s, would have appreciated this season’s recreation of her distinctive golden, feathery haircut, even if it wasn’t an exact reproduction.

The best wig, in my opinion, out of anything I’ve seen from this new series in the press, remarked Mr McKnight. Another indication of how Diana’s style reflected her journey was the sleeker, more natural form of the feathered shag she wore in the 1980s that she wore in the 1990s. She was a young woman who sought respect, according to Mr McKnight. She didn’t want to be perceived as the royal family’s new attractive member. She was defining her position.